#and I’m sure I will

[nwodwols]

I will literally never get over Mizumono. Literally ever. I know how the show ends, I’ve seen the last episode. I’m working my way through season three now. But the way the misunderstanding played out at the end of season two is as horrific as it is so beautifully executed. I am going to be ripping it apart frame by frame and trying to fit it together differently for them in my head forever

[antlerclxws]

[humming-fly]

I love how Gerald was trying to keep Shadow from spoiling anything about the future meanwhile literally everything Shadow says and does around Maria is the biggest death flag ever

[tariah23]

White people are miserable, racist losers period. They’ve even been getting mad at Japanese people for correcting them about Yasuke as well.

[minjimunji]

bi 4 bi percabeth,,,,, 👉👈

[watermelonsloth]

The push and pull of “relationships can be very affectionate and still be platonic” and “those are the gayest motherfuckers I’ve ever seen”.

[lady-raziel]

right wing trolls acting up on tumblr always fascinate me like what are you doing making a fuss about pronouns on the pronouns in bio website you’re in enemy territory like are you lost or something

[itsasimplereason]

 Take your baby sister to work day 😌

[jeyneofpoole]

it is so strange to go to the grocery store and realize that 65 percent of the people there just hate me and will always hate me. i mean it’s not like i didn’t know before. but i don’t think people in blue states will ever understand that level of sheer hopelessness and total demoralization and i wouldn’t wish it on them. if you love or even just know a southerner please realize that we can hear what you’re saying about us and it’s not just one wall of bigots here. people are already talking about refusing aid to states like texas and florida in the case of another natural disaster and i am begging you to realize that we fucking live here too.

[buzzingroyalty]

On this day

A Savior was Born

[notrobinsomethingworse]

Dick, deadpan: You hid a racoon in your room.

Jason, crouched by a sleeping racoon currently sleeping on a pillow. Theres scratches all over his arms and legs. He doesn’t seem bothered: yeah? What ya gonna do about it?

Dick: Un-hide? The goddamn racoon in your room?

Jason: But I’ve named him.

Dick: Well, un-name him.

Jason: He’s Barty.

Dick: I don’t care.

Jason: …

Jason: We can use him to fuck with Bruce.

Dick: …

Dick: Would Barty like some food?

[upon-the-snow]

I can’t believe it took me this long to draw her!

[chaichai-draws]

He’s home!!!

I just wanted to leave a close up of the part I started this sketch for.

[kat-rose-griffith]

Bridgerton season 3

[chloesimaginationthings]

The secret ending in FNAF into the pit..

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?